Teachers

(This is the second of two posts from 3rd grade teacher Sabrina Moody. Read part one.)

 

The Opportunity to Grow

This is to my Father’s glory, that you bear much fruit, showing yourselves to be my disciples.” John 15:8

As we re-experience 3rd, 5th, 8th or whatever the grade may be, we have the unique opportunity to grow alongside our children. Chances are most of us did not have a classical Christian education. We may remember a grade level, but not always positively. By getting involved with projects, classroom and school activities, and homework, we positively reshape our loves and experience. The challenges and joys we experience will grow us, and as adults modeling a love for growth and learning, we couldn’t show our children a better example.

Questions like: “How can the Lord help you grow through this challenge in math?” or “How can I help you as we move past this frustration with homework?” are invaluable assets to your parenting experience. You will “grow much fruit” in your relationship with Christ and your child as you come alongside.

 

The Opportunity to Love and Understand More Deeply

May the God who gives endurance and encouragement give you a spirit of unity among yourselves as you follow Christ Jesus, so that with one heart and mouth you may glorify the God and Father of our Lord Jesus Christ. “ Romans 15:5-6

As a learning community that places Christ at its center, Petra offers families and students the chance to build a network of support in the Body of Christ and supplement the local church. This does not mean we seek to do the work that local churches do, but rather that we support each other in the body of Christ in an educational way. What does this mean?

We integrate our subjects with biblical, Christian teachings. We teach Bible as a class at the elementary and secondary levels, but we don’t limit understandings of other subjects (particularly math and science) as exclusive of our Christian ethos.

We give you the opportunity to pray with us (Moms in Prayer, Dads who Dare prayer groups) and the opportunity to receive prayer support (faculty prayer).

Finally, our Humanities (secondary) and Literature studies (elementary) are connected to our faith by teaching students to interpret God at work in the creation of characters, themes, and philosophies shown in classical and secular literature.

Your child’s studies may be the most challenging he/she has yet experienced, but the opportunity this gives you to encourage and persevere is rich with potential. Embrace the opportunities at Petra! And may it be a wonderful year of joy, exploration, and support for you and your children!

Sabrina Moody, 3rd Grade Teacher

Maybe you’re at Petra Academy because you want a community in which your children can learn and grow. Maybe you’re here because you’ve grown to love classical Christian education, or have become excited about its promise for your children and family.

Maybe you’re here because you sense, on some level, opportunities at Petra that you and your kids have never had before. What are some of these opportunities?

 

The Opportunity to Share

And we pray this that you may live a life worthy of the Lord and may please him in every  way; bearing fruit in every good work, growing in the knowledge of God.” Colossians 1:10

At Petra, parents and families share in the classroom and school endeavors in unique and indispensable ways. Rather than turning you away at the door as you “drop off” in anonymity, we delight at seeing you in our hallways, hugging your child, delivering some extra words of encouragement, letting us know of requests or upcoming needs, supporting sports games and plays, or asking how you can volunteer in our classrooms or school.  

At Petra, the premise of “in loco parentis” meaning “in the place of parents” (paraphrased as “being responsible for the child’s parents while the parents are absent”), guides our role as adults in your child’s life. We don’t replace you or supersede your role; instead, we partner with you to ensure that your authority and vision for your child is held throughout the time he or she is stewarded by us during the school day. This philosophy supports you as parents in a time when cultural norms can undermine and confuse your beliefs and vision where your children are concerned.

 

The Opportunity to Build Up in Christ

But you, dear friends, build yourselves up in your most holy faith and pray in the Holy Spirit. Keep yourselves in God’s love as you wait for the mercy of our Lord Jesus Christ to bring you to eternal life.” Jude:20

Our community encourages and embraces the expression of love and fellowship through our Lord Jesus Christ. As our mission states, “recognizing our need for God’s grace, Petra Academy strives to awaken love and wonder in our students by teaching them to observe with humility, think with reason, and articulate with charity for the flourishing of humanity and the renown of Jesus the Christ.”

The school year here at Petra gives you the chance to build up your child, your family, your child’s teachers, administration, and families within your child’s class and school. You can build up by your words, your time, and yes, your smile. Reaching out for help when you need it (i.e., “recognizing the need for God’s grace”) gives you the opportunity to be joyous on this journey. Reach out to teachers whenever you have a concern about your child – that is why we are here! – to support and help you and your children.

Words like “I really would like to hear more about ________( your studies in a subject, class, enrichment),” or “This learning must be such a delight. I wonder how we could live into this teaching at home?” or “What you did today sounds like fun. Can I do an activity with you to experience or learn more about this?” can go a long way with your student.

(Read the second part of Ms. Moody’s blog post.)

Sabrina Moody, 3rd Grade Teacher

A poem a day keeps the doctor away! All triteness aside, it may well be true that this variation on the old adage instructs well concerning our need for daily literary consumption of poetic language.

Our 3rd grade class currently engages in this practice, immersed in a unit featuring Knock at a Star, an anthology of poems for children. The eager squeak of opening desks gives proof of their delight for the daily readings!

As our Petra mission states,

“Recognizing our need for God’s grace, Petra Academy strives to awaken love and wonder in our students by teaching them to observe with humility, think with reason, and articulate with charity for the flourishing of humanity and the renown of Jesus the Christ.

We realize that this articulation includes not just the more-often valued prose writings, but poetic expression as well.

How does this happen? Since children learn so well through imitation, from the earliest years at Petra, we read poetry. Beginning with nursery rhymes, fingerplays, chants, and songs in the pres-school and kindergarten years, progressing to classic poems for reading or memorizing in the 1st through 6th grades, then delving into the epic classics in the upper grades, we seek to provide children with a rich diet of poetic language that they may delight their ears and strengthen their hearts for meanings given symbolically, metaphorically, and rhythmically through words.

Ultimately, by training children to enjoy and write poetry – thus developing the capacity for poetic language – we go far to awaken love and wonder for God’s creation, our fellow man, and yes, for God’s word, the Bible. One of my favorites, Psalm 19, states:

The heavens declare the glory of God; the skies proclaim the work of his hands.
Day after day they pour forth speech/ night after night they display knowledge.
There is no speech or language where their voice is not heard.
Their voice goes out into all the earth, their words to the ends of the world.”

This psalm proclaims God’s creation, the “work of his hands” as being rooted in speech and words, and it is written, not surprisingly, as a poem.

So, there is a place for adding to this great symphony of poetic expression. Why not share a poem a day? You can start and return often to Psalms, and go on to many lovely anthologies and classics available at our public library or school library. Read with expression, read with delight, and read for the sake of truth and beauty. It just may be the start of a wonderful new state of spirit and health for you and your family.

Here are some poems to delight the poetic palate written by members of our third grade class. Bon appetit!

“Seasons” by Maggie Koenen
When it is winter foxes dive for food in the snow,
When it is winter bears go into caves and sleep,
When it is winter snowmen appear and snow blows.
When it is spring apple blossoms glow in the morning light,
When it is spring green grass grows,
When it is spring baby animals are born.
When it is summer animals like to take a dive,
When it is summer you don’t need to wear shoes on soft green grass,
When it is summer birds gather at the feeder.
When it is summer it is the perfect season for climbing trees.
When it is fall leaves drift to the ground,
When it is fall everything turns red, brown, orange, pink, and yellow,
When it is fall the earth is beautiful.

“A Playdate” by Isabella Evans
I’m excited when it’s the day
And nervous at the same time,
But when he or she comes we
Do what we do.

“Poem to Make you Smile” by Elijah Glover
I like teddy bears
Ones from the gift shop
There are fuzzy black or brown
Big or small
Simple ones and complex ones
Happy dappy teddy bears.

“First Day” by Kendall Cote
Sometimes on the first day of school
I am really shy
Maybe too much–
I don’t even want to say “Hi”
I feel so lost
I don’t know what to say
But then I say at least “Hey”.

“My Mom” by Ezra Penland
My mom is one who work and helps
At night she cleans dishes and gets laundry
At morning she get the clothes for school
She drives, she cooks,
She’s how our family hooks.

“Keeva and Deer” by Aiden O’Dwyer
Deer come to our yard every night.
They eat grass, until Keeva comes.
“Bark!” she says,
And the deer run away, saying,
“Panic and run! Panic and run!”

Jim Stumbo

When I was a young Captain stationed at RAF Lakenheath in England in 2003, I remember having a conversation with my squadron commander about our lack of work-life balance. “Why do we have to go out and waste so much time and fuel practicing Basic Fighter Maneuvers (close-in dogfighting) when everyone is already working 60-80 hour weeks? If I ever end up in a close-in dogfight with the enemy, something has gone horribly wrong for the Air Force!”

What should have been obvious that I didn’t understand at the time was that BFM is a fundamental building block of all combat aviation. It was there not just so we would win a dogfight; it was an exercise that developed certain cognitive pathways in our brains. We were being taught how to observe rapidly changing sensory inputs, categorize them appropriately, and respond correctly at both a conscious and subconscious level – all while experiencing the most physiological stress the airplane could dish out.

As I think about the futures of my kids, they’re getting old enough that I’m starting to worry about their work-life balance. Do I have enough time with them at home? Are we giving them all the athletic opportunities we should? Are they doing too much homework? Will they get into the colleges we want them to?

To help answer these questions, I decided to observe Mr. Koenen’s 11th grade Humanities class last week. I was quite frankly dumbfounded by the transcendent level of all-around excellence I witnessed from start to finish. First, it was the light-hearted teenage banter, not about who did what to who or what so-and-so was wearing but about…Dante…and Beatrice…and bacon and the meaning of Mr. Koenen’s bumper sticker (and all this before Mr. Koenen even entered the room).

Next, I was personally edified by the diagram Mr. Koenen put up on the white board illustrating why I do the things I do and how it relates to the reading the students had been assigned in Dante’s Purgatorio:

Our senses perceive an object, our imagination projects what it might be like to relate to that object, desire is born and grows into love. But love in this world is broken and so I must use reason and will to shepherd my desires and loves and…”

“Mr. Koenen, stop,” I thought. “My mind can’t keep up with all of the different areas of my life this touches and informs. I’ve got to sit a minute and reflect and let my brain catch up!”

But it didn’t stop. At this point, a student in the class put his hand up and said, “Mr. Koenen, how is it possible to be a celibate gay Christian?” Without missing a beat, he somehow tied the writings of someone 700 years removed from our culture of shameless TV and Disney boycotts to his diagram of our loves on the board. He then proceeded to walk methodically, humbly, and charitably through the traditional Christian view of same-sex attraction.

For the entire hour that I sat in the corner listening (on a chair that was carried in from another room by a student who noticed I needed a place to sit), the students were engaged and articulate. They were thoughtful and amazed at the symbolism of Dante’s story. They asked difficult questions about relationships, human nature, and community. It was absolutely breath-taking.

As my mind drifted back to my tuition bill and all of my questions about my fears for my own kids, two things struck me: first, is a Petra education difficult? Undoubtedly, but if someone is to be a culture-making Christian leader in postmodern America – whether it be as an inventor, an artist, a homemaker, a programmer, a CEO, an entrepreneur or an electrician – they will have to wrestle with difficult ideologies and resource constraints every year of their lives.

Second, are the repetitive, mundane building blocks of classical education executed perfectly all the time? Probably not, but the Petra community is one in which we can ask each other the questions like the ones I’m asking above. We can share these fears with each other and constructively help each other find answers to those fears so both we and our kids can all grow in grace and cultural impact.

Like BFM produces quick-thinking combat aviators, Petra Academy’s cultivation alongside loving families is producing bold thinkers in an era and in a culture that needs them like never before. Observing the class of 2019, I witnessed spiritual warriors who will walk into the world, see what needs to be done, and do it with a spirit of humility and winsomeness unlike few others. Petra might not be doing everything right all of the time, but if whatever they’re doing produces what I saw in the classroom last week, I want my kids here.

Jim Stumbo is a 1995 graduate of the United States Air Force Academy, a retired Lieutenant Colonel, and a financial planner with Edward Jones. He and his wife, Jen, have three students (8th, 6th, and 1st grades) at Petra, with a fourth beginning in Kindergarten next year. This is the family’s third year at Petra Academy.

Interested in observing a class at Petra? Contact our office at 582-8165 for options.

Mr. Eli Denison, Drama Director

This year’s fall show – Le Noir d’Arthur – is a film noir adaptation of the Arthurian legends – Le Morte d’Arthur by Sir Thomas Malory and Idylls of the King by Alfred Lord Tennyson – our 11th grade students read. Humanities teacher Sam Koenen, having taught the story multiple times, observed that Arthurian legend would make great film noir, as all the thematic ingredients are there: an obsessive quest/case, femme fatales on both sides of the law, and a group of men who come together for a common cause but end up turning on each other. Someone just had to write it.

Miss Elsa Bentz, Petra senior and playwright of Le Noir d’Arthur

Enter Elsa Bentz, a current senior and a student in the class in which Mr. Koenen made his observation (not to mention an aficionado of all things 1940s). Over the summer, Elsa and I wrote the script for Le Noir d’Arthur, going through several drafts and revisions before submitting a finished copy to Mr. Dunham and Mr. Koenen for approval. Because the source material and thematic mood is very different from any other show that we have produced before, let me give you some background as you consider joining us for Le Noir d’Arthur.

Historically, film noir is considered an aesthetic type of film originally made in the mid-1940s to the mid-1950s. The term was coined by French film critics to describe a film that was bleak, dark, or cynical both in style and thematic mood. Many of the American-made films after World War II fit this description, capitalizing on the tension and distrust that followed the war. Source material included hard-boiled detective novels of the 1930s and ‘40s, with Raymond Chandler’s stories about Philip Marlowe becoming archetypes of the genre.

Cinematically, many of the films were influenced by German expressionism from the 1910s and ‘20s, including the use of gloomy gray colors, bleak city scapes, and dimly lit interiors. Stories typically revolved around a disillusioned male protagonist who is characterized by a pessimistic, gloomy, or melancholy disposition due to a past mistake, regret, or grudge. He would come into contact with a femme fatale, who would then lead him into a deepening web of deceit or trickery that would ultimately lead to their downfall. Thus, film noir was a counter-balance to the popular (but unrealistic) musical genre of films that solved every “problem like Maria” with a song.

The real question for us in writing the show was, how do we take a bleak, pessimistic film style from the ‘40s and a medieval legend about common human failures and turn it into a quality production? At Petra, our staff and students read books that point us toward truth – the truth of Christ and the truth of living in a fallen world – and our goal is to tell stories onstage that do the same thing for the audience and the actors. This play is no different, but the hard truth of Arthurian legend and film noir is that the unredeemed world is bleak and full of sin, no matter how hard we fight it. But that doesn’t make the fighting any easier or any less important; on the contrary, it makes it even more so!

In our plays, we don’t glorify sinful attitudes, behaviors, or actions onstage, so we do our best to balance the tension of maintaining integrity to the source material and play style with putting on a production Petra families will want to attend. Some aspects – like the presence of tobacco and alcohol (both of which are just props) or the death of several characters – may be off-putting to some, but to keep from glorifying these elements of the story, we’ve made specific directorial choices so the audience knows what is happening without exploiting it, much the way film noir masters Alfred Hitchcock and Orson Welles did. While these aspects of the show are hardly the primary focus of the play, we felt it important to make sure families are aware of them in order to make decisions about younger students attending.

Our drama program continues to grow with each passing year, and this show represents two big firsts:

1) It’s our first-ever fall play. By adding a second show to the school year, more students get to be a part of what we’re doing during a different time (and sports season) of the year than our spring show.

2) It’s our first (but hopefully not last!) show created in-house by/for Petra, as it was written and co-directed by one of our very own students. This has been one of my goals as a drama director/teacher from the beginning.

Buy your tickets now and come out in November for the world premiere of Le Noir d’Arthur!

Craig Dunham, Headmaster

My oldest daughter, a freshman studying elementary education at Montana State University, was assigned to read The Teacher Wars: A History of America’s Most Embattled Profession for her EDU101 Teaching and Learning class. Making application from my previous post, I picked it up and read it over the weekend.

Plodding through 175 years of American education felt excruciating at times, not because of the research and writing (which were excellent), but because of the history and heartache chronicled (and experienced particularly by teachers).

As author Dana Goldstein summarized on page 261,

When American policy makers require every public school to use the same strategies – typically without confirming if their favored approaches are actually effective for kids – they reduce the discretion of the most motivated teachers, whose contributions to the profession should be scaled up, not shut down or ignored.

This is an age-old problem in American education reform. Our system is highly decentralized in terms of curriculum, organization, funding, and student demographics and needs, yet we have expected local schools to implement one-size-fits-all reform agendas imposed from above.

Since political reality suggests we aren’t likely to drastically centralize our education system anytime soon, perhaps it is time to look not just to nationally prominent politicians or philanthropists or social scientists to improve schools, but also to teachers themselves.”

Goldstein’s epilogue, “Lessons from History for Improving Teaching Today,” surprisingly then read as if from the playbook of an independent school. Let me share just five (there are plenty more) of her key observations/recommendations for public school improvement, with a sentence or two from me (as a headmaster of an independent school) as to why I agree:

1) Teacher pay matters. Most parents I talk with find it hard to believe that teacher salaries – public or private – are as low as they are (the median annual public school teacher salary in Bozeman is approximately $45,000; Petra’s is around $31,000). Even if one believed the lie that “teachers only work nine months out of the year,” it’s amazing how little schools – public and especially independent – are able to financially compensate those who invest so much in shaping our children.

2) Teaching communities should be able to choose their own curricula, assessments, and teacher evaluation practices. As we like to say at Petra, teachers don’t just handle our curriculum; they are our curriculum. Few care as much about what kids are learning as teachers and administrators accountable to local parents rather than state and/or federal politicians and mandates.

3) Long-serving “star” teachers often come from low-income backgrounds, graduate from non-elite colleges, and are people of faith. Mission – not pedigree – is what makes the best teachers. While training and education are important (and we believe in both), the degree that most qualifies a teacher to be in the classroom is the degree to which he or she is committed to the mission of our school. Interestingly (especially for a secular book), Goldstein remarks that people of faith make better teachers, which we would say is a result of being created in the “imago dei,” or “image of God,” who is the ultimate Teacher.

4) Tests should be returned to their role as educational diagnostic tools, not educational funding metrics. Thankfully, this one is (finally) getting some notice as leading education researchers (not to mention any teacher worth his salt) will tell you that, as Goldstein writes, “…the most authentic use of achievement tests is to diagnose what students know and can do so teachers can better target instruction toward them.” I’ve written on this before, so for Petra’s particular take on testing, click here.

5) Be real about the limitations of the public system. And, I would add, any systems (including independent ones) that try too hard or are depended on too much to somehow replace the family or the Church. “We consistently expect teachers and schools to close achievement gaps and panic when they fail to do so,” wrote Goldstein, “but we do not provide families with the full range of social supports children need to thrive.” This can be just as true of independent schools as public ones, yet we must ideally function only “in loco parentis” – “in the place of” (not “in place of”) parents.

Some issues are no respecter of schools, public or independent. Kudos to Dana Goldstein for writing a book The New York Times called “meticulously fair and disarmingly balanced,” as well as to Montana State University for including it in their freshman education curriculum.

Craig Dunham, Headmaster

According to the educational website, Edutopia,

Parent involvement is the number one predictor of early literacy success and future academic achievement.”

But, according to the Pew Research Center,

About a quarter of American adults (26%) say they haven’t read a book in whole or in part in the past year, whether in print, electronic, or audio form.”

We all intuitively know that reading – to our kids, in front of our kids – benefits our kids. But we also all experientially know that reading requires time and energy – two commodities we as parents too easily believe we possess in too small amounts.

Perhaps we do better reading books in the summer when the schedule seems lighter and the days longer. And yet, if we aren’t reading consistently ourselves (and especially during the school year), how will we convince our kids of this supposedly important habit, both in their studies now as well as later for the long-term?

This weekend, I began reading Jackson J. Spielvogel’s Western Civilization, the excellent history textbook our secondary students use all through their 7th-12th grade years. My daughters (all of whom had weekend reading assignments in Spielvogel) noticed my seemingly strange selection as they walked by me lying on the couch, and wondered out loud why I was reading their textbook on a Saturday night.

Before I could answer, they each mentioned how much they themselves liked Spielvogel’s text and how it helped them anchor in the timeline of history the many original source novels and essays we read. This, of course, is exactly how our teachers intend the book to be used, but it was nice hearing my kids’ explanation of our pedagogy (the method and practice of teaching) and how it helped them learn.

(Candidly, it was also nice to feel like I was doing something – i.e. reading the same book they were – that communicated interest in their lives and what they are learning. And, I learned and re-learned quite a bit about the ancient world of Mesopotamia, Egypt, and classical Greece.)

At all levels of our curriculum, our students read plenty of great books. As parents, why not read some with them? In lower elementary, learn some phonograms with your little ones; in the upper elementary, jump in on a chapter book every now and then, or read along in Susan Wise Bauer’s The Story of the World history series.

If you have a student in the secondary, ask him for the booklist this year (we’ve already handed out all his books) and get started on a novel or essay now that he’ll read later in the year. Last year, I intentionally chose to read Moby Dick with my senior, but as I knew it would take me longer to read than her, I gave myself a couple months of extra lead time and finished just before she did. On the several occasions at the dinner table she shared what had been discussed in class and her thoughts concerning it, I could engage genuinely, which meant a lot to me and, I think, to her.

Forsake the “all or nothing” mentality that paralyzes so many of us (dads especially) and pick a book or two to read with your student this semester. Our kids – regardless of age or grade – will take note of our efforts and benefit as we model (even sporadically and imperfectly) this important tool and discipline of learning.

The following four-minute video debuted at Parent Orientation, with the text taken from Mr. Dunham’s “One-of-a-Kind and of One Mind” address to parents.

There isn’t one parent here who doesn’t want the fruits of classical Christian education listed in the video for your child:

– Respect

– Curiosity

– Concern

– Joy

– Passion

– Love

We are of one mind here, which is why we are here. As Petra parents:

– we’re finished with academic education that doesn’t contribute to a student’s physical, emotional, and spiritual experience;

– we’re done with curriculum that does not teach the biblical story of creation, fall, redemption, and consummation, tying all subjects together and giving them meaning;

-we’re through fighting trial-and-error educational progressivism, test-driven curricula, and no particular moral end in mind.

Instead, we’re of one mind in pursuing this one-of-a-kind classical Christian education as our desired means to the best of ends for our kids. We intend for them to engage with the best books, impassioned teachers, and most beautiful school culture possible.

Prior to the school year’s start, our staff invested good and profitable time learning and preparing to cultivate in our students four key faculties of flourishing, as presented by Academic Dean Sam Koenen:

1) Attentiveness. We become what we behold because we are worshiping beings. 2 Corinthians 3:18 describes this reality: “And we all, with unveiled face, beholding the glory of the Lord, are being transformed into the same image from one degree of glory to another. For this comes from the Lord who is the Spirit.” We want to call our kids to study with rigor, defined as “being able to pay close and extended attention to that which is studied.”

2) Memory. The ability of students to access what they have learned in the past so they know how to live in the present is crucial to their success. Memory has always been an essential attribute of God’s people (consider the theme of Deuteronomy: “remember, remember, remember”), and is therefore an important element of our curriculum and pedagogy.

3) Imitation. We are made in the image of God and are called to act as he does – in imitation of the truth, goodness, and beauty of his word and his work in the world. How do students learn this at school? Through our teachers, who do not just handle our curriculum; they are our curriculum.

4) Harmony. Helping students recognize and resolve discord in their character is important for helping them do the same in resolving discord in the world. To learn to love and live at peace with God, man, and themselves is how human flourishing happens.

Ours is a one-of-a-kind education, and we want to be of one mind concerning it. We invite you to get informed, to stay involved, and to pray for our little school as we seek to instill these four characteristics in your students – not only for themselves, but for the flourishing of humanity and the renown of Jesus the Christ.

Craig Dunham, Headmaster

The following is an excerpt from Mr. Dunham’s opening message, “Clinging to Calling: Vocation for the Here and Now,” at this week’s Faculty & Staff Orientation.

What does calling look like in the classroom? In our context, a faculty member who has embraced his or her calling takes the following approach:

– He or she is always prepping. I’m not just talking lesson plans and seating charts (though those are important); I mean being spiritually ready to do what needs to be done. If your heart is unprepared to love students, if your sin is unconfessed, if your Bible is not read, if your prayers are not prayed, what is it that you are bringing to your role? The only answer you’re left with is yourself, and none of us are that good. Doug Wilson, in a message given at this year’s Logos Summer Teacher Training, said, “Everything going on at your school is going to have something to do with everyone’s walk with God.” How will your walk with God affect Petra Academy?

– He or she is mindful of mimesis. Mimesis is the modeling of – not just teaching – an ideal. The degree to which you are virtuous in your approach is the degree to which you can teach virtue – otherwise, the hypocrisy is too great. If I am going to teach my 8th graders the fruit of the Spirit (love, joy, peace, patience, kindness, goodness, gentleness, faithfulness, and self control), my approach in doing so cannot consist of the opposite (hate, despair, turmoil, exasperation, rudeness, evil, harshness, infidelity, and unrestraint). Can you imagine being taught by someone like this? This is hypocrisy in its worst form.

– He or she explains the “meta-.” “Meta-” is the sense of the “why” to go with the “what” and the “how”. If we can’t answer why we’re teaching something, we should stop teaching it until we can. There is much value in pulling back with our students and reminding them of the “why” of “what” and “how” we’re doing, of showing them the box cover of the puzzle that goes with all the pieces they’re trying to put together. Simply put: the “why” of the “what” and “how” matters.

– He or she pursues relationship. As faculty, we must have a ministry of presence as we relate to our students. Teaching is hard, but it doesn’t have to be harder than it needs to be; much of it is simply doing the things our favorite teachers did – listening to students, taking them seriously, imparting them with truth, goodness, and beauty, and loving them unconditionally along the way.

The degree that most qualifies you for our mission is not from any college or university; it is your degree of commitment that matters most:

“Recognizing our need for God’s grace, Petra Academy strives to awaken love and wonder in our students by teaching to observe with humility, think with reason, and articulate with charity for the flourishing of humanity and the renown of Jesus the Christ.”

Jesus’ words in Luke 16:10 are still true: “He who is faithful with very little will be faithful with much.”

Let us cling to this calling in the hope of being so faithful.